Two Histories of the World
Two Histories of the World, 2011 William H. Cooper Mfg. Warehouse, West Humboldt Park, Chicago IL Two Histories of the World, Part 2, 2012 Hyde Park Art Center, Chicago IL Opening on September 23rd, 2012 at the Hyde Park Art Center
Two Histories of the World
Two Histories of the World, 2011 William H. Cooper Mfg. Warehouse, West Humboldt Park, Chicago IL Two Histories of the World, Part 2, 2012 Hyde Park Art Center, Chicago IL Opening on September 23rd, 2012 at the Hyde Park Art Center
Voyagers
Voyagers, 2012 – 2013 Commissioned by the Placemakers Foundation for the Harold Arts Residency Program, Chesterhill, OH Inaugurating a series of chapters in this episodic multi-year physical journey, we are building the first of the series in Chesterhill, Ohio called Voyagers (2013). An ocean-tired
Voyagers
Voyagers, 2012 – 2013 Commissioned by the Placemakers Foundation for the Harold Arts Residency Program, Chesterhill, OH Inaugurating a series of chapters in this episodic multi-year physical journey, we are building the first of the series in Chesterhill, Ohio called Voyagers (2013). An ocean-tired
Tea House Design Build Antioch
Tea House Design Build Project, 2012 Antioch College Organic Farm, Yellow Springs OH On April 14th and 15th, a small collaborative group of professional artists/architects/designers/builders including Rod Northcutt, Charlie Vinz, Jillian Soto and Sara Black led the first part of
Tea House Design Build Antioch
Tea House Design Build Project, 2012 Antioch College Organic Farm, Yellow Springs OH On April 14th and 15th, a small collaborative group of professional artists/architects/designers/builders including Rod Northcutt, Charlie Vinz, Jillian Soto and Sara Black led the first part of
The Perpetual Motion of a Still Life
The Perpetual Motion of a Still Life, 2011 Ryerson Woods Conservation Area with the Cook County Forest Preserves, Deerfield IL “When we try to pick out anything else, we find it hitched to everything else.” John Muir Using materials drawn
The Perpetual Motion of a Still Life
The Perpetual Motion of a Still Life, 2011 Ryerson Woods Conservation Area with the Cook County Forest Preserves, Deerfield IL “When we try to pick out anything else, we find it hitched to everything else.” John Muir Using materials drawn
Excerpts from a Demolition (The Palace at Dawn)
Excerpts from a Demolition (The Palace at Dawn), 2011 Materials: Scaled Douglas fir (stud walls) and reconstituted gypsum (sheet rock), collected from a demolition event, gypsum cement, steel nails, 22K gold leaf, and wire. This edition of 51 was created
Excerpts from a Demolition (The Palace at Dawn)
Excerpts from a Demolition (The Palace at Dawn), 2011 Materials: Scaled Douglas fir (stud walls) and reconstituted gypsum (sheet rock), collected from a demolition event, gypsum cement, steel nails, 22K gold leaf, and wire. This edition of 51 was created
Object Recovery
Object Recovery, 2011 In conjunction with the Without You I’m Nothing: Interactions Museum of Contemporary Art, Chicago IL Performances daily, 12pm-5pm from April 19 – 24 This performance-based project addresses ideas of loss, repair, or renewal through the conceptual transformation
Object Recovery
Object Recovery, 2011 In conjunction with the Without You I’m Nothing: Interactions Museum of Contemporary Art, Chicago IL Performances daily, 12pm-5pm from April 19 – 24 This performance-based project addresses ideas of loss, repair, or renewal through the conceptual transformation
If It Ain’t Broke – Katherine’s Table
If It Ain’t Broke – Katherine’s Table, 2010 Igloo Gallery, Portland OR and Tufts University Gallery, Boston MA In May, 2010 we conducted the first round of conversations introducing the now ongoing project entitled, “If It Ain’t Broke.” This phase
If It Ain’t Broke – Katherine’s Table
If It Ain’t Broke – Katherine’s Table, 2010 Igloo Gallery, Portland OR and Tufts University Gallery, Boston MA In May, 2010 we conducted the first round of conversations introducing the now ongoing project entitled, “If It Ain’t Broke.” This phase
The Fortuitous Sequel to Means Means Value
The Fortuitous Sequel to Means Means Value, 2010 Contemporary Masters, Salt Lake Art Center, Salt Lake City UT This final project of Material Exchange was a contribution to the exhibition called, Contemporary Masters, an artist-made mini-golf course. Material Exchange was
The Fortuitous Sequel to Means Means Value
The Fortuitous Sequel to Means Means Value, 2010 Contemporary Masters, Salt Lake Art Center, Salt Lake City UT This final project of Material Exchange was a contribution to the exhibition called, Contemporary Masters, an artist-made mini-golf course. Material Exchange was
Rebuilding Mayfield
Rebuilding Mayfield, 2010 Museum of Contemporary Craft, Portland OR Gestures of Resistance Curated by Judith Leemann and Shannon Stratton The Guinness Book of World Records, lists the first whisper in the current record-holding “telephone game” as “They inherited the world
Rebuilding Mayfield
Rebuilding Mayfield, 2010 Museum of Contemporary Craft, Portland OR Gestures of Resistance Curated by Judith Leemann and Shannon Stratton The Guinness Book of World Records, lists the first whisper in the current record-holding “telephone game” as “They inherited the world
Repair Shop
Repair Shop, 2009 CEPA Gallery, Buffalo NY During the second week of September, Material Exchange, InCUBATE, and Adam Bobbette traveled to Buffalo, New York to develop a project called Repair Shop. The Repair Shop is our contribution to the larger
Repair Shop
Repair Shop, 2009 CEPA Gallery, Buffalo NY During the second week of September, Material Exchange, InCUBATE, and Adam Bobbette traveled to Buffalo, New York to develop a project called Repair Shop. The Repair Shop is our contribution to the larger